Middle Child Media

MANILA, Philippines – Middle Child Media proudly introduces its highly anticipated Station ID, set to debut on UST Tiger TV. The fresh and dynamic Station ID highlights the essence of the network’s storytelling prowess while celebrating its flagship programs, ‘Para-Paraan’ and ‘Queen of the Arch’—two shows that continue to captivate the Thomasian audience. 

Airing every Friday on UST Tiger TV, Middle Child Media’s latest Station ID embodies its creative vision, showcasing its commitment in producing content that is innovative, relatable, and distinctly Thomasian. Featuring a vibrant montage of ‘Para-Paraan,’ the engaging show that explores student travel hacks, time saving, and commute budget tips, and ‘Queen of the Arch,’ the pageant show that shines a spotlight on inspiring Thomasian women, the Station ID is a testament to Middle Child Media’s dedication to entertain and inform its viewers.

Driving Creativity: The Jeepney in UST 

In a truly rare moment for the University of Santo Tomas, the Station ID brings something unexpected to campus—a jeepney inside the university grounds. This unique addition symbolizes the heart of Filipino culture and Middle Child Media’s dedication to push creative boundaries. The jeepney, a staple of local transportation, represents the journey of every commuter symbolized by the Thomasians in the video, navigating through life with resilience and passion. 

Bringing the vision to life was no easy feat. From conceptualization to execution, the production team faced numerous challenges, yet their dedication never wavered. 

“Seeing this Station ID come to life has been both exhilarating and surreal. Bringing a jeepney inside UST was a challenge in itself, but it became the heart of our Station ID. Every step of the process, from conceptualizing to recording, was a challenge. But this project reminded me of our purpose: variety, visibility, and vision in the media landscape,” said Jada Shantell Galang, Executive Producer of Middle Child Media’s Station ID. 

Beyond just a visual spectacle, the Station ID serves as a deeper reflection of Middle Child Media’s core values and mission. 

“This Station ID represents what Middle Child Media stands for. I hope our audience sees not just a production, but a reflection of their stories, their struggles, and their successes in every frame,” Galang continued. 

Symbolic Shades: Defining Middle Child Media

Thomasians will also notice the distinct color palette worn by the talents in the Station ID—white, light blue, and yellow—which are the official colors of Middle Child Media for COMMTV. These colors emphasize the brand’s identity: white for creativity and innovation, light blue for clarity and vision, and yellow for energy and passion. Together, they encapsulate Middle Child Media’s mission to deliver vibrant and meaningful content to its audience.

“Creating our Station ID came from within ourselves; it took a combination of creativity, passion, and eagerness to reach the silver lining. It did take a village to make the station ID, and we are happy because the outcome brought a sea of blue and yellow to the whole university. We ensured that our Station ID embodied what Middle Child Media is all about,” said Alfred Aron Malit, Director of Middle Child Media Station ID. 

The Station ID will serve as a visual signature of Middle Child Media, reinforcing its brand across all platforms and setting the tone for its exciting lineup of shows. As it makes its way onto UST Tiger TV, students, faculty, and viewers alike can expect a fresh take on Thomasian storytelling—one that reflects creativity, passion, and the pulse of the UST community. 

For the latest updates and information, follow Middle Child Media’s Facebook, Instagram, and TikTok. 

About Middle Child Media 

Middle Child Media is a creative media organization composed of 3rd-year UST AB Communication students committed to produce innovative and unconventional content that challenges traditional storytelling norms. It aims to bring Variety, Visibility, and Vision to the media landscape by crafting engaging narratives that resonate with diverse audiences. 

As a dynamic media group, Middle Child Media collaborates with various institutions, brands, and organizations to amplify unique voices and perspectives. It specializes in multimedia storytelling, event production, and digital campaigns that inspire meaningful conversations and drive social impact. 

#MiddleChildMedia #OnlyOnTigerTV #KasamaCASA

MANILA, Philippines – Middle Child Media, a growing creative powerhouse, launches two new shows, Para-paraan and Queen of the Arch, breaking storytelling conventions. In collaboration with Tiger Media Network, UST’s official broadcaster, these shows strive to captivate, educate, and entertain the Thomasian audience.

Dedicated to purposeful storytelling, Middle Child Media pushes boundaries with shows that entertain, educate, and empower Thomasians through innovative content. Para-paraan provides valuable insights on navigating Metro Manila’s transportation system, equipping Thomasians with practical knowledge to enhance their daily commutes. Meanwhile, Queen of the Arch celebrates the resilience and brilliance of Thomasian women, showcasing their talents, intelligence, and advocacies.

By collaborating with Tiger Media Network, Middle Child Media connects with 46,000 Thomasians, delivering high-quality content to its audience. Para-paraan and Queen of the Arch showcase Thomasians’ diverse experiences, strengthening Middle Child Media’s mission of Variety, Visibility, and Vision.

Para-paraan: Roadmap to a Smarter Travel

Metro Manila commuting is an adventure, and Para-paraan helps Thomasians navigate the city’s intricate and ever-changing transportation system with ease. This game-style show features challengers betting on the fastest and most cost-efficient routes to reach their destinations, starting from UST. By exploring various transportation options, estimated travel times, and costs, the show helps students confidently navigate the metro.

“Para-Paraan lives through the production house’s goal of creating purposeful programming. As we constantly face issues in the transportation sector at large, we want to create a show that focuses on the lived experiences of the people that navigate the country’s complex transportation system daily. As lighthearted the show’s premise is, it features stories of struggle, adaptation, and resilience in mobility. We want to spark conversations, challenge perspectives, and help Thomasians navigate the metro, one stop at a time,” said by the Supervising Producer of Para-paraan, Dean Manuel Pinza.

By showcasing different transportation options, estimated travel times, and costs, Para-paraan ensures that Thomasians are well equipped to explore the city. The show will air on UST Tiger TV on March 28, 2025, April 4, 2025, and April 11, 2025

Queen of the Arch: The Ultimate Thomasian Queen

Queen of the Arch showcases intelligence and grace in a three-episode pageant, following three Thomasian women competing for the title. These women, representing different faculties, will face challenges that assess their confidence, creativity, and advocacy for essential and meaningful causes.

“I’ve always admired the strength, confidence, and grace pageantry brings out in women. With Queen of the Arch, I wanted to create a show that celebrates the empowered Thomasian female. The journey to the crown begins at the arch—a symbol of every Thomasian woman’s path to growth, resilience, and success. I am beyond excited to bring this vision to life for the Thomasian community and for everyone to watch,” said by the Supervising Producer of Queen of the Arch, Allyana Hernandez.

While championing their beauties and advocacies, only one will stand out, earning the title, the crown, and the prestigious prizes. This show will air exclusively on UST Tiger TV on May 2, 2025, May 9, 2025, and May 16, 2025. With Para-paraan and Queen of the Arch, Middle Child Media continues to push boundaries and set new standards. These shows use bold and engaging storytelling to inform, inspire, and entertain, starting a new era of meaningful programs for Thomasians.

For the latest updates and information, follow Middle Child Media’s Facebook, Instagram, and TikTok.

About Middle Child Media

Middle Child Media is a creative media organization composed of 3rd-year UST AB Communication students committed to produce innovative and unconventional content that challenges traditional storytelling norms. It aims to bring Variety, Visibility, and Vision to the media landscape by crafting engaging narratives that resonate with diverse audiences.

As a dynamic media group, Middle Child Media collaborates with various institutions, brands, and organizations to amplify unique voices and perspectives. It specializes in multimedia storytelling, event production, and digital campaigns that inspire meaningful conversations and drive social impact.

#MiddleChildMedia #OnlyOnTigerTV #KasamaCASA

Sharlene Pineda

READ – With women’s month coming into full bloom, women’s stories must be highlighted. One of these themes is menstruation, which has always been a large part of a woman’s life. Girls have their own experiences when it comes to menstruation, especially in getting one’s first period. Some are filled with excitement with the thought of entering womanhood, while some are anxious at the thought of giving up their childhood. A treasure chest could explode at the amount of what-ifs, superstitions, and stigmas around menstruation, and all of these things could be scary for a child. These stigmas only create unwanted anxiety and fear for girls, when in reality, periods are a normal occurrence and should not be taboo at all. 

This March, people fuel conversations around womanhood with the celebration of Women’s Month. Film and media can be a great way to highlight these themes, especially as these mediums allow people to see these messages through the art of visual storytelling. 

That said, March is also the month of Puregold CinePanalo film festival’s theatrical run, and alongside the powerful roster of creative short films and full-length films is Taympers, a short film created by PUP student filmmaker Naiah Mendoza.

Taympers is a film that revolves around a child, Yumi (Atasha Eve Franco), who grows anxious as she sees her older sister Chloe (Miel Espinoza), going through sudden pain. Accompanied by Yumi’s best friend, Heidi (Amber Santaolaya), and their grandmother Linda (Elizabeth Luntayao Reginaldo), Yumi is introduced to the concept of menstruation. Throughout the film, the audience gets to see a girl getting her first period through the perspective of her younger sister. Yumi approaches menstruation with much anxiety, especially as she watches her sister go through foreign and seemingly painful changes. 

Seeing Taympers, people are also reminded of the community women have built, with shared experiences as its foundation. The film reinstates this as Yumi, Chloe, and their grandmother Linda show genuine support to each other as Chloe goes through her first period. From elder figures to female friends, women have fostered a community with a caring nature.

At its core, the film presses on the need for more discussions on women’s sexual reproductive health and all it entails–from the importance of free and accessible healthcare for women, debunking stigmas around one’s first period, and the importance of making women’s healthcare and menstruation a conversation normalized and free of judgement. This makes Taympers a film filled with heart, innocence, and a true love for womanhood.

Eli Dacuma

Quezon City, Philippines — Aubrey Soriano’s Si Nadia at ang kanyang mga Kuro-Kuro kicks off its Puregold Cinepanalo Student Shorts Screening at the Gateway Mall 2 last March 14.

The short film follows 16-year-old Nadia as she journeys through her youth, personal connections, and relentless walks to find her identity as she grapples with finishing her article for the school publication.

Starring Yani Villarosa as Nadia, the unique coming-out story reflects the fears and struggles of queer individuals in the Philippines. Moreover, it highlights other narratives on LGBTQIA+ representation in the country.

Villarosa also received a nomination for the Panalong Aktres (Best Actress) award for her role.

Si Nadia at ang kanyang mga Kuro-Kuro joins the Cluster B of short films, alongside Champ Green, Daeaura, Checkmate, Papunta Ka Pa Lang, Naka-Bounce Na Ako, and 1… 2… Strike!!!.

Take a look at Si Nadia at ang kanyang mga Kuro-Kuro’s review made by Eduksine’s team, available on Letterboxd:

Marl’s Review (Batch 7)

The film adeptly addresses significant social issues, notably journalists’ rights to free expression and the empowerment of women, challenging traditional stereotypes. Nadia’s relationship with her mother adds emotional depth, illustrating unconditional love. Yani’s exceptional performance captures youthful humor, engaging the audience through expressive actions and breaking the fourth wall. The film’s nuanced storytelling and strong character development create a compelling and thought-provoking narrative.

Catch our editorial news writer and her shenanigans in Gateway Mall 2 until March 25 through these schedules:

March 23 (Sun)
Cinema 16 – 12:30 PM
Cinema 18 – 9:00 PM

March 24 (Mon)
Cinema 16 – 9:00 PM
Cinema 18 – 3:00 PM

March 25 (Tue)
Cinema 16 – 5:30 PM
Cinema 18 – 9:00 PM

You can also follow Nadia in the following social media accounts for future updates:

Facebook: Si Nadia at kanyang mga Kuro-Kuro
Instagram: @nadia.films

EdukSine Studios is an official media partner of Si Nadia at ang kanyang mga Kuro-Kuro for the 2025 Puregold Cinepanalo Film Festival.

Sharlene Pineda

Quezon City, Philippines – On March 14, 2025, EdukSine Studios went to the Puregold CinePanalo 2025 film festival at Gateway Cineplex 18. The team watched Taympers, a short film written and directed by Naiah Mendoza under Tasá Productions. 

Starring Atasha Eve Franco (Yumi), Miel Espinoza (Chloe), Amber Santaolaya (Heidi), and Elizabeth Luntayao Reginaldo (Linda), the film revolves around Yumi’s perspective on her older sister, Chloe, experiencing pain as she gets her first period. With womanhood being one of the central themes of the short film, Taympers is a must-watch this women’s month. 

Take a look at the Taympers review made by Eduksine’s team, available on Letterboxd:

Amira’s Review (Batch 4)

The most-awaited Puregold Cinepanalo Film Festival is finally here! Kicking off the Student Shorts A Cluster is “Taympers,” a short film that takes us on a beautifully nostalgic ride back to one of the most nerve-wracking moments in a young girl’s life—her first period.

From the very first frame, “Taympers” effortlessly pulls you into its warm yet chaotic world, filled with the innocence, anxiety, and excitement of coming-of-age experiences. It masterfully captures that raw, overwhelming feeling of transitioning from childhood to adolescence, when something as natural as menstruation feels like an earth-shattering event. Watching this as someone in my mid-20s, I couldn’t help but be transported back to the time when I was confused, scared, and hyper-aware of every little change in my body.

The film perfectly encapsulates the mixture of emotions—curiosity, embarrassment, and even a little pride—that comes with this milestone. It also brilliantly highlights the way myths and traditions shape our perception of womanhood. Who else remembers being told “Bawal maligo!” or “Dapat umupo sa ikatlong baitang ng hagdan para hindi masakit ang tiyan”? And, of course, the infamous “Ipahid ang first blood sa mukha para kuminis ang balat”! It’s these tiny yet deeply ingrained superstitions that make the film so relatable and authentic, especially for Filipino women.

One of the standout aspects of “Taympers” is its overall aesthetic and vibe. The cinematography, production design, and color grading all scream “kikay,” perfectly mirroring the youthful, vibrant, and slightly chaotic essence of the protagonist’s world. The youngest sibling, in particular, adds a delightful contrast, bringing comedic relief and a playful energy that balances out the more serious themes. The film doesn’t just tell a story; it immerses you in it, making you feel every awkward yet beautiful moment as if you were experiencing it all over again.

With its compelling storytelling, relatable themes, and a perfect blend of humor and heart, “Taympers” is more than just a short film—it’s an experience that lingers long after the credits roll. A definite must-watch at the festival!

Taympers is being screened under the Puregold CinePanalo Students Shorts A Category alongside five student short films from March 14-March 25. Read below for Shorts A Cluster’s screening schedule and Puregold CinePanalo 2025’s ticket prices. 

Shorts A Cluster Screening Schedule

March 16 (Sunday)

Cinema 16 – 5:30 PM | Cinema 18 – 9:00 PM

March 17 (Monday)

Cinema 16 – 3:00 PM | Cinema 18 – 5:30 PM

March 18 (Tuesday)

Cinema 11 – 5:00 PM (Gala) | Cinema 16 – 12:30 PM | Cinema 18 – 9:00 PM

March 19 (Wednesday)

Cinema 16 – 9:00 PM | Cinema 18 – 12:30 PM

March 20 (Thursday)

Cinema 16 – 5:30 PM | Cinema 18 – 9:00 PM

March 21 (Friday)

Cinema 16 – 3:00 PM | Cinema 18 – 5:30 PM

March 22 (Saturday)

Cinema 16 – 12:30 PM | Cinema 18 – 9:00 PM

March 23 (Sunday)

Cinema 16 – 9:00 PM | Cinema 18 – 12:30 PM

March 24 (Monday)

Cinema 16 – 5:30 PM | Cinema 18 – 9:00 PM

March 25 (Tuesday)

Cinema 16 – 3:00 PM | Cinema 18 – 5:30 PM

Puregold CinePanalo 2025 Ticket Prices

₱250 – Regular Ticket

₱200 – Discount for Students, PWD, Senior Citizens, and Aling Puring Members

₱2,000 – Festival Pass

READ – On March 2, 2025, Eduksine went to PETA Theater Center to watch Jun Lana’s Anino sa Likod ng Buwan, a play directed by Tuxqs Rutaquio. Organized by The IdeaFirst Company, the play is performed by acting powerhouses Elora Españo, Martin del Rosario, and Ross Pesigan, alongside their exemplary understudies Denise Esteban, Edward Benosa, and Vincent Pajara. The one-act play focuses on the complex web of lies and games occurring between Emma and Nardo, a couple forced out of their homes by heavy militarization, and Joel, their “nice” military friend. 

Take a look at the Anino sa Likod ng Buwan reviews made by Eduksine’s team:

Sharlene’s Review (Batch 11):

March opened with the theatrical run of Jun Lana’s Anino sa Likod ng Buwan. With the play directed by Tuxqs Rutaqio, the show runs for an hour and forty five minutes, starring Elora Españo (Emma), Martin Del Rosario (Joel), and Ross Pesigan (Nardo). Set in the 1990s, when people were forced by heavy militarization to flee their homes, husband-and-wife Emma and Nardo find friendship in a soldier, Joel. What seems to be a mundane night of cards ends up being filled with the craziest of twists, making viewers hold their breath through scenes packed with tension, sexuality, and betrayal all at once. 

The power of set design truly heightened the experience for the audience. From the large tree that looms above Emma and Nardo’s frail, wooden house, to the accurate resemblance of the stage to the film–the art direction was simply exquisite. It makes the viewers voyeuristic as they take a look into the characters’ lives from their seats. The fact that the audience first sees Emma bathing, naked and alone, presses onto this intruding persona. The sound also married perfectly into the play, adding depth to emotion-heavy scenes. Viewers were at the edge of their seats as Emma and Joel’s forbidden relationship unraveled; as Emma told about hearing Ka Samuel, her father, hidden in an underground bunker; and as Joel drew a gun on Emma and Nardo as he confessed to knowing the truth–that the two aren’t married, and that he never loved Emma. All of these revelations were accompanied by scores that rose at the perfect time, making the play all the more impactful. 

Everything is about strategy, as Joel claimed, and it presses on the metaphor of their webbed lives. From day one, it has been a card game between the three characters, between the military and the insurgency. With the lunar eclipse, a split second in the dark, their motives and inner desires would come out. The actors were able to translate this tremendously through their performances. 

Ross Pesigan was able to bring both bursts of humor and gripping dialogues to the stage as Nardo. In a story sewn with deep secrets and grave themes, he is able to move the audience with his portrayal of empathy, conviction, and love for the country. Aside from his moving performance, Pesigan is also able to make the audience laugh because of his comedic timing, proving his strong charisma.

Martin del Rosario commands the stage in his theater debut. He is able to exude Joel’s masculinity, with a deep voice that booms throughout the walls of the theater pairing perfectly with his macho body acting. Del Rosario shows the chillingly violent side of his character as well as his faux friendliness, making the audience nervous at his unpredictable nature. 

Elora Españo wins the audience with her exemplary portrayal of Emma. Her acting in the last sequences were one-of-a-kind, from her last exchange with Joel to standing below the ashes of a kapre’s cigarette. Españo exhibits Emma’s braveness, femininity, and vulnerability with such precision. In her, the audience sees the intricacies of womanhood, what it feels to be a woman amidst a war, and what it feels to fight and to love. 

Anino sa Likod ng Buwan doesn’t shy away from explicitly telling the story of war and its steam, of comrades and enemies, of women and her truths. Through its cast’s groundbreaking performances and its story’s fearlessness in mirroring social truths, the play is a true class act.

Cielo’s Review (Batch 11):

Tuxqs Rutaquio’s theatrical adaptation of Jun Lana’s Anino sa Likod ng Buwan is a raw, immersive experience that thrives on unpredictability, intimacy, and quiet devastation. The play follows Emma (Elora Españo), Joel (Martin Del Rosario), and Nardo (Ross Pesigan) as they navigate survival, morality, and personal turmoil amid the turbulence of war. What starts as an uneasy gathering spirals into a psychological drama, unraveling truths too sharp to ignore.

From the opening—a stark, unflinching moment of vulnerability—the play commands attention. The actors’ performances are nothing short of gripping, their chemistry palpable and their stage business seamlessly executed. Españo’s portrayal of Emma is both commanding and haunting, wielding her femininity as both a shield and a weapon. Del Rosario delivers a nuanced Joel, balancing charm with an unsettling edge, while Pesigan’s Nardo serves as a mirror of innocence lost, his presence grounding the chaos with an air of quiet despair.

The set traps the audience in their world, thick with secrets and unspoken grief. Even from the sidelines, the lighting shapes the unease, blurring the line between intimacy and entrapment. Every element breathes life into a world where morality flickers like a dying flame.

Nangungutang para sa prinsipyo.

Is survival itself a betrayal?

Salamin ng kalungkutan.

In war, is there anything left unbroken?

May immoral pa ba sa gerang ‘to?

Or is morality the first thing to burn?

Emma then moves in the direction of the tree, where the kapre’s cigarette burns like a fading ember, a ghost of something greater, or a whisper of myth. A doubt remains once it eventually falls, smothered by the wind, a question lingers: was it ever real? Or simply another shadow behind the moon, trapped between truth and survival, between myth and reality, like Emma, and.. us?

For Tickets and Information

Anino sa Likod ng Buwan will continue its theatrical play at the PETA Theater Center until March 23, 2025. Catch the full experience of Anino Sa Likod ng Buwan and grab your tickets now at https://ticket2me.net/event/21994?ref=KEVIN_TUBIERON. For more information, visit The IdeaFirst Company’s Facebook page. The play is strictly for adults only. 

New York, USA, February 26, 2025 – EdukSine USA Corporation and EdukSine Studios Corporation are proud to announce the launch of its inaugural EdukSine Online Filipino Film Festival: A Festival of Filipino Films, A Home Away from Home, set to run from March to May 2025. This online celebration of Filipino cinema will showcase 10 award-winning independent films, along with a curated selection of short films, all available for free streaming across the US and Canada. This festival is made possible through the support of DTI Philippines, DTI Los Angeles, the Malikhaing Pinoy Program, the InArte Society from Canada, and the Philippine Consulate Generals in San Francisco, Calgary and Los Angeles. Special thanks to DTI Assistant Secretary, Foreign Trade Service Corps, May Niña Celynne Layug and Trade Commissioner Eric Elnar of DTI Los Angeles and DIWA Filipino film festival , The Filipino School of New York & New Jersey, Philippine American friendship community inc and Embassy of the republic of the philippines washington d.c who worked tirelessly to make this great project possible. 

The festival is led by Karen Jane Salutan-Krukover, a Filipino immigrant and founder of EdukSine Studios in the Philippines, and EdukSine USA Corporation. Karen’s dedication to Filipino arts and culture is reflected in her journey from the Philippines to the United States, where she’s built a platform for Filipino filmmakers and artists globally. This festival is a testament to her resilience and strength, fueled by her personal story of overcoming profound challenges, including the passing of both her parents. With the support of her husband, Dennis Krukover, Co-Founder, Executive Producer, and angel investor of EdukSine USA, this festival aims to showcase Filipino culture through the lens of Filipino cinema.

EdukSine began as a small effort to bring Filipino films to underserved regions, including the mountain villages of Kalinga and the coastal province of Tawi-Tawi. Over time, it has transformed into a digital platform with the help of DOST (Department of Science and Technology), allowing Filipino films to reach audiences worldwide. This festival marks a significant milestone in EdukSine’s mission to promote Filipino culture and arts on a global stage.

The festival will also feature Baliw na Pag-ibig, a romantic comedy short film from Karen, which will be released after seven years. The film features her late parents, who were not only her first supporters but also her first actors and ticket sellers. This film is a tribute to their memory, celebrating their lives and the love they always gave her.

A Festival of Filipino Stories

The EdukSine USA Online Filipino Film Festival is more than just a film screening event. It is a celebration of the Filipino spirit and resilience. The films featured in the festival span various genres and themes, including:

• Agriculture & Sustainability – Honoring our farmers who nourish our land and people
• OFW Journeys – The sacrifices and resilience of Filipinos working abroad
•  Ending Violence Against Women & Children (VAWC) – Stories of survival, justice, and empowerment
•  Family – The unbreakable bonds that define us as a people
•  Hopes & Dreams – The power of ambition, perseverance, and hope
•  Education – Knowledge as a tool for transformation
•  LGBTQ+ Representation – Stories of love, identity, and acceptance
•  Indigenous Culture – Preserving the wisdom and artistry of our ancestors
• Social Issues – Raising awareness and inspiring action

Each film tells a unique story of the Filipino experience, shedding light on the challenges and triumphs of our people, and reinforcing our collective strength.

Short Film Competition

As part of the festival, there will be a Short Film Competition in the short film category.  It aims to highlight new and emerging voices in Filipino cinema. Cash prizes and other incentives will be awarded to the winners, offering filmmakers the opportunity to showcase their work on an international stage and gain recognition for their creativity and storytelling.

Why Support Filipino Films?

Cinema is a powerful tool for social change, and Filipino films are no exception. Through storytelling, Filipino filmmakers give voice to the voiceless, and they tell the stories that shape the Filipino identity. These films capture the heart and soul of the Filipino people—from the struggles of overseas Filipino workers (OFWs) to the love that binds Filipino families, from the resilience of Filipino women to the dreams that drive our community forward.

Supporting Filipino cinema is about preserving our heritage, celebrating our culture, and ensuring that future generations can understand and appreciate the Filipino story. This festival is an opportunity to watch, listen, and learn, to reconnect with our roots, embrace our culture with pride, and support Filipino filmmakers who are sharing their stories on a global stage.

The Power of Cinema: A Story of Resilience

The festival’s poster is a powerful reflection of the Filipino journey. At the center, the carabao symbolizes the strength and resilience of the Filipino people—representing hard work, perseverance, and determination. Soaring above it, the Philippine eagle represents ambition and hope, reminding everyone to rise above challenges and strive for greatness, no matter the circumstances.

The jeepney, an iconic symbol of the Philippines, represents creativity, resourcefulness, and unity, symbolizing movement, progress, and the shared journey forward.

The soaring plane cutting through the sky represents the immigrant journey—the story of leaving home to pursue new opportunities while honoring one’s roots. It embodies EdukSine’s role in carrying Filipino films from the Philippines to the US, Canada, and beyond.

Finally, the golden sunrise in the background represents hope and new beginnings. It is a reminder of the sense of belonging that Filipinos, both at home and abroad, continue to seek—a symbol of embracing identity and connecting with one another, no matter the distance.

Teamwork Across Borders

Karen is getting all the help and support from her Co-Founders in the Philippines and over 30 youth volunteers, working together across distances to make this festival a reality. Despite the geographical gap, the unity and creativity that comes from this collaboration showcase the power of teamwork and the shared commitment to celebrating Filipino cinema and culture.

About EdukSine USA

EdukSine USA is a Filipino-American-founded platform dedicated to bringing Filipino films to the global stage. The platform aims to make Filipino films accessible to audiences worldwide, ensuring that Filipino filmmakers and their stories receive the recognition they deserve. Through the support of DTI, DOST, and other partners, EdukSine is committed to celebrating Filipino culture and arts globally.

The EdukSine USA Online Filipino Film Festival will feature 10 full-length films across various genres, including women empowerment, education, indigenous culture, OFW stories, love stories, comedy, LGBT films, arts film, dark comedy, coming-of-age, and sci-fi. The festival will also showcase a selection of exciting short films in competition, with cash prizes and other incentives.

Join us in celebrating Filipino cinema. Watch the films for free from March to May 2025 and stay tuned for festival updates and announcements about how to access the films online nd the list of the participating films by following the EdukSine Studios page on Facebook and Instagram.

This festival is not just about films—it’s about celebrating who we are, where we come from, and the resilience that defines us as a people. This is A Festival of Filipino Films, A Home Away from Home.

Contact:

Karen Jane Salutan-Krukover
Founder & CEO | EdukSine USA Corporation, EdukSine Studios Corporation
Phone: +1 212-9997854/ Email: karen@eduksine.com
Website: www.eduksine.com
Social Media: https://www.facebook.com/EdukSine/ https://www.instagram.com/eduksinestudios/

#EdukSineUSA #FilipinoFilms #FilmFestival #GlobalFilipinoCinema #ResilienceThroughCinema

New York, April 17, 2024 – Karen Jane Salutan, CEO and Founder of EdukSine, proudly represented the Philippines at the UN ECOSOC Youth Forum 2024 held at the UN Headquarters in New York. Alongside esteemed UN Ambassadors and youth world leaders, Ms. Salutan shared her insights on youth leadership and the importance of inclusivity in the film industry.

The event, themed “Innovate and Lead: Skills for Youth to Drive a Sustainable Future,” was organized by the World Intellectual Property Organization (WIPO) in collaboration with the International Trade Centre (ITC) and the Permanent Mission of Kenya to the United Nations in New York.

Ms, Karen Jane Salutan, CEO and Founder of EdukSine alongside the UN Ambassadors and world youth leaders at the UN ECOSOC Youth Forum 2024, UN Headquarters, New York.

During her address, Ms. Salutan candidly shared her journey as a youth leader and CEO of EdukSine, a groundbreaking platform akin to a Filipino Netflix. EdukSine aims to empower struggling independent filmmakers and producers by providing them with a platform to showcase their work. Notably, EdukSine is the only block streaming platform in the Philippines and the world to integrate Filipino Sign Language, making films accessible to the Deaf community which is a new innovation from EdukSine.

Despite facing personal challenges, including the loss of her mother and cultural adjustment while living in New York, Ms. Salutan emphasized the importance of leading by example, never leaving her team behind and being a beacon of strength and hope for others. She spoke passionately about her experiences with mental and emotional resilience, crediting therapy and Stoicism for strengthening her resolve.

𝗠𝘀.𝗞𝗮𝗿𝗲𝗻 𝗝𝗮𝗻𝗲 𝗦𝗮𝗹𝘂𝘁𝗮𝗻, 𝗖𝗘𝗢 𝗮𝗻𝗱 𝗙𝗼𝘂𝗻𝗱𝗲𝗿 𝗼𝗳 𝗘𝗱𝘂𝗸𝗦𝗶𝗻𝗲, 𝗽𝗿𝗼𝘂𝗱𝗹𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗲𝗱 𝘁𝗵𝗲 𝗣𝗵𝗶𝗹𝗶𝗽𝗽𝗶𝗻𝗲𝘀 𝗮𝘁 𝘁𝗵𝗲 𝗨𝗡 𝗘𝗖𝗢𝗦𝗢𝗖 𝗬𝗼𝘂𝘁𝗵 𝗙𝗼𝗿𝘂𝗺 𝟮𝟬𝟮𝟰 𝗵𝗲𝗹𝗱 𝗮𝘁 𝘁𝗵𝗲 𝗨𝗡 𝗛𝗲𝗮𝗱𝗾𝘂𝗮𝗿𝘁𝗲𝗿𝘀 𝗶𝗻 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸. 𝗔𝗹𝗼𝗻𝗴𝘀𝗶𝗱𝗲 𝗲𝘀𝘁𝗲𝗲𝗺𝗲𝗱 𝗨𝗡 𝗔𝗺𝗯𝗮𝘀𝘀𝗮𝗱𝗼𝗿𝘀 𝗮𝗻𝗱 𝘆𝗼𝘂𝘁𝗵 𝘄𝗼𝗿𝗹𝗱 𝗹𝗲𝗮𝗱𝗲𝗿𝘀,

“We have to lead by example, separate our personal challenges from our commitment as leaders and never quit, never leave the team behind because they are depending on us. We have to always focus on our missions and serving our countrymen.” This kind of leadership is an act of love and selflessness..

It is important that the government, UN, and private entities listen to the challenges faced by youth leaders and taking action with empathy and compassion. She expressed gratitude for the opportunity to represent EdukSine and the Philippines at the UN ECOSOC Youth Forum, acknowledging the International Trade Centre, World Intellectual Property Organization, the Permanent Mission of Kenya to the United Nations in New York and other organizers for their support.

The event featured notable figures such as H.E. Ms. Paula Narvaez Ojeda, Ambassador of Chile to the United Nations in New York, H.E. Mr. Martin Kimani, Ambassador of Kenya to the United Nations in New York, and Mr. Daren Tang, Director General of WIPO, Geneva, H.E. Mr. Mohamed Orman Bangura, Minister of Youth Affairs, Sierra Leone, H.E. Ms. Jamila Bio Ibrahim, Minister of Youth and Sport Development, Nigeria, Ms. Gabriela Posso Restrepo, Presidential Advisor for Youth, Colombia , Mr. Miles Hodges, Poet and Producer, New York, USA and Mr. Federico Perez, CEO of Selvitas, Colombia

Ms. Karen Jane Salutan with Mr. Daren Tang from Singapore, Director General of World Intellectual Property Office, Geneva Switzerland

With H.E. Mr. Mohamed Orman Bangura, Minister of Youth Affairs, Sierra Leone

With Ms. Nadine Hakizimana, Youth Engagement Facilitator, Global Challenges and Partnerships Sector (GCPS), World Intellectual Property Organization (WIPO), Geneva

With Ms. Mayara Louzada Alarcao Sobral, Head, Youth and Trade Programme, the International Trade Centre (ITC), Geneva, Switzerland

EdukSine remains committed to promoting Filipino culture, fostering inclusivity and innovation and empowering youth leaders to drive positive change in society.

For media inquiries and further information, please contact:
info@eduksine.com or karen@eduksine.com

Baguio City, Philippines – November 21, 2024 – The University of the Cordilleras Language and Literature Society and the College of Arts and Sciences, in collaboration with **EdukSine Studios and the Japan Foundation Manila (JFM), hosted a compelling screening of the award-winning Japanese film Angry Son. With an audience of 220 students and faculty members, the event became a powerful platform for cultural exchange, storytelling, and social reflection, shedding light on themes of family struggles, identity, and the Filipino-Japanese experience.  

A Film That Resonates Across Borders  

Directed by Kashou Iizuka, Angry Son tells the story of Jungo, an 18-year-old raised by his Filipino mother in Ota City, Japan. With only financial support from his estranged Japanese father, Jungo grapples with his mixed heritage, personal relationships, and the search for belonging. His journey to reconnect with his father unveils a profound narrative of acceptance, love, and cultural duality, deeply resonating with the audience.  

For students at the University of the Cordilleras, the film was more than just a viewing—it was a mirror to real-life experiences of multicultural families, sparking introspective reflections and meaningful discussions on identity and representation in cinema.  

Special Guests from Japan Foundation Manila  

The event was further elevated by the presence of Japan Foundation Manila (JFM) representatives whose insights enriched the discussions on Japanese cinema, cultural collaboration, and the impact of storytelling on global audiences:  

Eisuke Matsuda– Assistant Director, Japan Foundation Manila  

Carlos Ortiz– Program Officer, Japan Foundation Manila  

Their participation underscored JFM’s mission of fostering cultural exchange through film and highlighted the significance of sharing narratives that bridge diverse cultures and communities.  

Exclusive Q&A with Director Kashou Iizuka  

One of the event’s highlights was a virtual Q&A session with Angry Son’s director and writer, Kashou Iizuka. Students and faculty had the rare opportunity to gain firsthand insights into his creative process, the film’s inspiration, and the challenges of portraying complex social themes on screen. The interactive discussion allowed the audience to connect even more deeply with the film, making it a truly immersive cinematic experience.  

A Deeper Social Perspective with the ABONG Filipino-Japanese Foundation of Northern Luzon, Inc.  

Further enriching the film showing, the event welcomed key representatives from the ABONG Filipino-Japanese Foundation of Northern Luzon, Inc. (Abong), an organization dedicated to promoting cultural exchange, mutual understanding, and support for the Filipino-Japanese community. The guests included:  

Arnel M. Cabanisas – Executive Director  

Ms. Jennifer Palitog – Social Worker Practitioner  

Ms. Angelica Challoy – Social Worker Intern  

Juvanie Garoy – Social Worker Practitioner  

Jona Morae Fidchongkas – Social Worker Intern  

Their insights brought the film’s themes to life by providing real-world perspectives on the challenges faced by individuals from diverse cultural backgrounds. Through their expertise, students gained a deeper understanding of the emotional, social, and psychological impact of family separation, identity struggles, and cultural adaptation.  

Student Reflections: An Emotional and Eye-Opening Experience  

The film’s themes struck a personal chord with many attendees. Several students shared how Angry Son challenged their perspectives and stirred profound emotions:  

“I had a mirrored feeling of emotions while watching it. At some points, I even felt like crying.” – BS Psychology student

– “From the title itself, I expected it to be very dramatic, which it turned out to be. I also thought it would focus solely on Filipino culture, but the film effectively portrayed the fusion of both Filipino and Japanese cultures.” – BA Communication student  

– “Definitely, yes! I would recommend this film to anyone I know. I didn’t expect to love it as much as I did, but it beautifully captured Filipino culture. – Language and Literature Society member

Cinema as a Bridge for Cultural Understanding  

The University of the Cordilleras, in partnership with **EdukSine Studios and Japan Foundation Manila, continues to champion cinema as a tool for education and social awareness. The screening of Angry Son was more than just an event—it was an invitation to reflect, empathize, and engage with stories that matter.  

As EdukSine Studios expands its reach, bringing thought-provoking films to schools, universities, and communities, it remains committed to using cinema as a catalyst for meaningful conversations and cultural exchange.  

Stay Connected

Follow EdukSine Studios and Japan Foundation Manila for updates on upcoming screenings, film talks, and cultural initiatives:

 EdukSine Studios
 www.eduksine.com
 Eduksine Studios

 Japan Foundation Manila
 https://jfmo.org.ph/
 The Japan Foundation Manila

For partnerships, collaborations, or inquiries, email us at info@eduksine.com

Davao City, Philippines — On January 15, 2025, EdukSine Studios and Japan Foundation Manila (JFM) brought the critically acclaimed Japanese film Angry Son to Philippine Nikkei Jin Kai International School (PNJKIS) in Davao, offering students a profound exploration of identity, family, and societal expectations through the lens of Japanese cinema.

The special screening gathered an audience of 120, composed of Grades 11 and 12 students, faculty, and esteemed guests, all eager to engage with the film’s thought-provoking themes. The event emphasized the power of storytelling in fostering empathy, cultural appreciation, and social awareness.

A Cinematic Experience That Bridges Cultures

The program opened with an introduction to Japan Foundation Manila, highlighting its mission to promote cultural exchange through the arts. Dr. Ines P. Mallari, PNJKIS President, delivered an inspiring message on the importance of cross-cultural understanding, emphasizing how films serve as a bridge between nations.

Following this, students were captivated by Angry Son’s emotional depth and compelling storytelling, which follows Jungo, an 18-year-old living in Japan with his Filipino mother. As he struggles with his father’s absence, his mother’s plans to remarry, and his evolving identity, Jungo embarks on a journey to find his estranged father, confronting complex realities of family and self-discovery.

Engaging Dialogue with Director Kashou Iizuka

After a one-hour lunch break, students participated in a Talkback Session with Angry Son director Kashou Iizuka, where they gained exclusive insights into the film’s creative process, themes, and cultural significance. The discussion fostered meaningful conversations on identity, representation, and the challenges of single-parent households, all of which resonated deeply with the audience.

Adding to the depth of the discussion, the event was graced by distinguished guests:

• Dr. Jhoanna Cruz – UP Mindanao
• Mr. Voltaire Bitalac – Community Liaison, CineKlab–LPU Davao
• Representatives from Manila Shimbun

Their presence enriched the conversation, emphasizing the significance of cultural collaboration and the role of cinema in fostering understanding across communities.

More Than Just a Film Screening

Beyond its entertainment value, the Angry Son screening at PNJKIS became a platform for learning, reflection, and engagement. It reinforced the importance of international cinema in broadening perspectives and deepening cultural connections. Through initiatives like this, EdukSine Studios and Japan Foundation Manila reaffirm their commitment to using film as an educational tool that sparks meaningful conversations and promotes inclusivity.

Looking Forward

With the success of this screening, EdukSine Studios continues its mission of making socially relevant films accessible to Filipino audiences. By bringing diverse narratives to schools and communities, EdukSine Studios is paving the way for a more inclusive, culturally aware, and cinema-literate society.

“When I watched the movie earlier, or as you mentioned during our lunch time, the movie showed us so many social issues that are happening nowadays. And even in the realities in the society nowadays that even if— maybe because here in Philippines although we are very open already like in Japan, you know, our catholic faith here is very strong. So, there are things here that may not be acceptable as the depicted in the movie, like the same-sex marriage and on. But then I think this movie is also good for us to learn that, you know, people are given different choices, and so it’s up to us to respect. So many themes came out of this movie and I don’t want to say anything more about this, but I think there were so many things for us to learn, even the students at PNJKIS. Inside the classroom, there were so many things that happened there, and I hope they were able to detect the things that they could learn from there. Now, I would like to say that this is really a very wonderful movie, despite my apprehension at first, I could say that I hope that many Filipinos and many Japanese will be able to watch your movie. Thank you and congratulations.” – Dr. Ines P. Mallari, President of PNJKIS

Stay Connected

Follow EdukSine Studios and Japan Foundation Manila for updates on upcoming screenings, film talks, and cultural initiatives:

 EdukSine Studios
 www.eduksine.com
 Eduksine Studios

 Japan Foundation Manila
 https://jfmo.org.ph/
 The Japan Foundation Manila

For partnerships, collaborations, or inquiries, email us at info@eduksine.com